Sublime

Grace Macaulay, then: seventeen, small and plump, with skin that went brown by the end of May. Her hair was black and oily, and had the hot consoling scent of an animal in summer. She disliked books, and was by nature a thief if she found a thing to be beautiful, but not hers. She didn’t know she couldn’t sing. She was inclined to be cross.

Grace Macaulay – in whose veins ran Essex rivers and Bible ink; in whose philosophy the devils of hell and the saints of Bethesda did battle with her reason and her nature – sat with her phone on the bare floor of a Hackney room and thought of Thomas Hart. Come home, he’d written, you wretched child, and I am wretched, she thought, and I think I’d

Charles Dickens’s children said they always knew when he was writing a book because they could hear him. He created characters through their voices, and would practise their verbal tics in front of a mirror.