Sublime
An inspiration engine for ideas
I think it’s also important to admit, to attest to, and to [bear] witness to the violence of the archive of slavery, which is about erasure. There are tick marks instead of names; it’s all about the slave’s relationship to the accumulation of wealth for another. The archive doesn’t tell us the story of someone’s life.
Bettina Judd • On
ON LIBRARIESI was visiting public libraries and ultimately writing my dissertation about them and realizing it’s not about people engaging with kind of romanticized documents. There is some of that in the library, but it’s also compromised bodies interacting with compromised bodies, often the most marginalized people in societies and also really be... See more
Multispecies Worldbuilding Lab • Shannon Mattern - multispecies worldbuilding lab
One result of all this attention to e-waste and supply chains is that examples of non-Western improvisation are now often adapted, appropriated, or fetishized in the West. Designers and artists express fascination with “informal” and “entrepreneurial” design practices, or with favela “bricolage” and marginalized “maker” cultures. This can lead to t... See more
Places Journal • Maintenance and Care
alina stefanescu, writer
alinastefanescuwriter.com



As its title suggests, Unnamed Figures not only illuminates Black appearances in the visual culture of this period but also asks how our encounters with them are shaped by the erasure of Blackness from art and archives.
Zoë Hopkins • The Invisible Presence of Blackness in American Art
