Sublime
An inspiration engine for ideas
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Sasha Costanza-Chock • Design Justice: Community-Led Practices to Build the Worlds We Need (Information Policy)
Design Justice as Community Organizing
Sasha Costanza-Chock • Design Justice: Community-Led Practices to Build the Worlds We Need (Information Policy)
‘In film everything is a constructed reality’ (Berry 2001: 73):
Christopher Hauke • Visible Mind: Movies, modernity and the unconscious
Adam Lehrer • Who’s Afraid of Elena Velez?
Like other promoters, Thibault and Felipe questioned the intrinsic beauty of fashion models while wholeheartedly embracing their economic value.
Ashley Mears • Very Important People: Status and Beauty in the Global Party Circuit
a shift from “gate keeping”
Margaret Saponaro • Collection Management Basics (Library and Information Science Text Series)
The zany: it’s a performative aesthetic that is hot and sweaty, anxious and excessive. It is physical and sometimes libidinal. It is about activities where play becomes a job or work gets too playful.
McKenzie Wark • Sensoria: Thinkers for the Twentieth-First Century
Nicolas Bourriaud has famously termed socially ‘relational’ (Bourriaud, 2002)
Jen Harvie • Fair Play: Art, Performance and Neoliberalism (Performance Interventions)
to contextualize these socially engaged art and performance practices in broader social and material contexts in order to consider not only what kinds of opportunities for what qualitative experiences of participation the art practices ‘themselves’ offer audiences, but also, importantly, how those opportunities are affected by the practices’ social
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