Sublime

‘I have come,’ he said. ‘But I do not choose now to do what I came to do. I will not do this deed. The Ring is mine!’ And suddenly, as he set it on his finger, he vanished from Sam’s sight. Sam gasped, but he had no chance to cry out, for at that moment many things happened.

echo in the walls, a great voice calling. ‘Gandalf!’ he cried. ‘Gandalf! He always turns up when things are darkest. Go on! Go on, White Rider! Gandalf, Gandalf!’ he shouted wildly, like an onlooker at a great race urging on a runner who is far beyond encouragement.

There are thus two marriages of mortal and elf – both later coalescing in the kindred of Eärendil, represented by Elrond the Half-elven who appears in all the stories, even The Hobbit.

In the cosmogony there is a fall: a fall of Angels we should say. Though quite different in form, of course, to that of Christian myth. These tales are ‘new’, they are not directly derived from other myths and legends, but they must inevitably contain a large measure of ancient wide-spread motives or elements.

The Doom (or the Gift) of Men is mortality, freedom from the circles of the world. Since the point of view of the whole cycle is the Elvish, mortality is not explained mythically: it is a mystery of God of which no more is known than that ‘what God has purposed for Men is hidden’: a grief and an envy to the immortal Elves.

Aiya Eärendil Elenion Ancalima! he cried, and knew not what he had spoken; for it seemed that another voice spoke through his, clear, untroubled by the foul air of the pit.

knew, some elves were under

The Silmarillion is the history of the War of the Exiled Elves against the Enemy, which all takes place in the North-west of the world (Middle-earth).

He will rebel against the laws of the Creator – especially against mortality. Both of these (alone or together) will lead to the desire for Power, for making the will more quickly effective, – and so to the Machine (or Magic).