Sublime
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“Blame It on the Boogie” is confusing, because it’s a cover of a song by Mick Jackson, an English singer whose real name was also Michael Jackson. He had a version of the song out at the same time, and British newspapers and radio stations took sides: some of them liked the Jackson version, while others liked the Jacksons’ version.
Ahmir "Questlove" Thompson • Mo' Meta Blues: The World According to Questlove
Little Journeys Vol. 13: Great Lovers by Elbert Hubbard: John Stuart Mill and Harriet Taylor
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It was Rosewater who introduced Billy to science fiction, and in particular to the writings of Kilgore Trout.
Kurt Vonnegut • Slaughterhouse-Five
‘That means mischief, eh?’ said Mr Hawley. ‘He’s got the freak of being a popular man now, after dangling about like a stray tortoise.
George Eliot • Middlemarch
The only way he had survived in his marriage, with a wife who not only made about fifteen times his really quite good doctor salary but who, the moment she surpassed him on the earn-o-meter, found herself completely disgusted by his earning ability, was that he made a big show of only barely tolerating the perks of the money. He allowed Rachel to b
... See moreTaffy Brodesser-Akner • Fleishman Is in Trouble: A Novel
I think there is a long Jewish tradition that history and wisdom are being transmitted from one generation to another not through lectures and history books, but through anecdotes, funny stories, and appropriate jokes.
Richard H. Thaler • Misbehaving: The Making of Behavioral Economics
étude de 2015 menée par l’économiste Robert Waldinger78, qui a suivi 724 États-Unien·nes tout au long de leur vie depuis les années 1930, conclut que ce qui compte le plus, ce sont les relations humaines : l’amour, l’amitié et la famille. Le bonheur réside ainsi dans les liens. Et c’est donc dans le développement de ces liens que réside le progrès
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