Sublime

In their day jobs, his parents continually wrestled with the tension, in American law, between individual freedoms and the collective good. Both identified, broadly speaking, as utilitarians: any law should seek not to maximize some abstract notion of freedom but rather the greatest good for the greatest number. They never pushed their views on Sam

Nineteen twenty-three was one of Broadway’s brightest years. John Barrymore played Hamlet just a few blocks away from where his sister Ethel was appearing in Romeo and Juliet. Elmer Rice’s The Adding Machine and Pirandello’s Six Characters in Search of an Author also opened. Most critics cited Galsworthy’s Loyalties as the best play of the season.

She may agree with the poet Mary Oliver that “creative work needs solitude. It needs concentration. . . . It needs the whole sky to fly in, and no eye watching,” or with Gertrude Stein, who warned, “It takes a lot of time to be a genius, you have to sit around so much doing nothing, really doing nothing.”