Sublime

One Bielski partisan, Oppenheim, a man in his forties, was a talented locksmith. He came to the forest with his son from Novogródek ghetto.

an engineer by nature, which means he sees problems and tries to build solutions.

If there was an inner circle of magicians, Grayson sat at the head of that table. Walt described him as “old school,” because he still believed secrets mattered. And although he was revered by fellow magicians, Grayson had a reputation for being an elitist, as well as being so secretive it bordered paranoia. He wouldn’t even touch a deck of cards i

He’s an architect’s architect; he told me he’s interested in how buildings can help do the metaphysical work of what the philosopher Martin Heidegger called true dwelling—a social triad made of people, one to another and in their environments.

Katherine Sarafian, another Pixar producer, credits the clinical psychologist Taibi Kahler with giving her a helpful way of visualizing her role. “One of Kahler’s big teachings is about meeting people where they are,” Katherine says, referring to what Kahler calls the Process Communication Model,