Sublime

It was the summer of 1929 when Tom first discussed with Perkins his relationship with a married woman, the celebrated scenic designer for the Neighborhood Playhouse, Aline Bernstein.

some small plump brownish person of firm but quiet carriage, who looks about her, but does not suppose that anybody is looking at her. If she has a broad face and square brow, well-marked eyebrows and curly dark hair, a certain expression of amusement in her glance which her mouth keeps the secret of, and for the rest features entirely insignifican