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But despite the epic nature of the story and the prominent identity of its author, the New York Times decided to downplay—one more time—the story of the Holocaust and placed the story on page twelve.
Ashley Rindsberg • The Gray Lady Winked: How the New York Times's Misreporting, Distortions and Fabrications Radically Alter History
In May 1941, Arthur Hays Sulzberger had spoken words to affirm that he and the American journalism establishment could not “turn our heads away from those who suffer.” He spoke of a need to confront the horrors of other people’s suffering in order to keep alive “spiritual values” to be once again embraced “when all this nightmare is over.” And yet,
... See moreAshley Rindsberg • The Gray Lady Winked: How the New York Times's Misreporting, Distortions and Fabrications Radically Alter History
Kushner didn’t trust Neumann when they first met in the early 2010s, but the aspiring moguls were devoutly religious, and connected as self-identified disruptors in an industry averse to newcomers.
Reeves Wiedeman • Billion Dollar Loser: The Epic Rise and Spectacular Fall of Adam Neumann and WeWork
whether it was a Nazi collaborator serving as the paper’s Berlin bureau chief at the most sensitive moment in modern history, a communist propagandist helping to midwife American recognition of the Soviet Union, the creation of a jihadist boy-martyr almost out of thin air, the cover-up of radiation sickness resulting from the use of nuclear weapons
... See moreAshley Rindsberg • The Gray Lady Winked: How the New York Times's Misreporting, Distortions and Fabrications Radically Alter History
The executive editor of the most influential literary agency in the US said he could not risk his relationship with the paper, on which he depends for reviews and publicity for his authors. Publishers who are brand names in the industry balked. Even freelance designers and editors refused to work on the book, saying it was not a risk they could aff
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