Sublime

jeremiad,

In short, even though Kehr remains one of the most responsible of film critics, he also proves that one reason why he deserves this distinction is that he knows the value of irresponsibility—as his treatment of Russ Meyer’s Supervixens also demonstrates.

The subtitles, which make the most muffled speeches comprehensible, are an interference, though the raggedness of the sound makes Pialat's point: this isn't rhetorical dialogue, addressed to the audience to make dramatic and character points, but speech considered as a sound effect, part of the natural content of the image.