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Procedural portraits (1): Decoding ‘Eno’s’ generative str... · ⧉

J. Cal Pickard justinpickard.net

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‘In film everything is a constructed reality’ (Berry 2001: 73):

Christopher Hauke • Visible Mind: Movies, modernity and the unconscious

The Kuleshov Effect

John Yorke • Into The Woods: How Stories Work and Why We Tell Them

the Kuleshov Effect.

John Yorke • Into The Woods: How Stories Work and Why We Tell Them

diegetically,

John Yorke • Into The Woods: How Stories Work and Why We Tell Them

diegetic

John Yorke • Into The Woods: How Stories Work and Why We Tell Them

diegetic.

John Yorke • Into The Woods: How Stories Work and Why We Tell Them

traditional video on demand systems, and/or online viewing).

Jason Kilar • Jason Kilar on Hulu and content

By decision:

Robert McKee • Character: The Art of Role and Cast Design for Page, Stage, and Screen