Sublime
An inspiration engine for ideas
Artisanal software
In a speech delivered years ago, Ev Williams used agriculture as a metaphor to understand what’s possible on the Internet.
Agriculture was a tremendous invention – it got people fed and freed them to do many things. But agriculture – taken to the extreme in the pursuit of profit leads to a sick and obese population and industrial... See more
In a speech delivered years ago, Ev Williams used agriculture as a metaphor to understand what’s possible on the Internet.
Agriculture was a tremendous invention – it got people fed and freed them to do many things. But agriculture – taken to the extreme in the pursuit of profit leads to a sick and obese population and industrial... See more
Patricia Maeda messaged you
a rate of con-sumption which tends to level everything out into an undifferentiated mass of high-quality description and trenchant reflection that be-comes both numbing and euphoric, a kind of Total Noise that’s also the sound of our U.S. culture right now, a culture and volume of info 1
David Foster Wallace • Deciderization 2007—a Special Report
In recent years, an underlying sense has emerged that algorithmic culture is shallow, cheap, and degraded in the washed-out manner of a photocopy copied many times over.
Kyle Chayka • Filterworld
Mainstream culture and commodity goods present a problem for people who believe in authenticity.
“reactionary distancing—aestheticizing, ironizing.” Viewing the junk products of pop culture “ironically or anthropologically….from internally afar” allowed hipsters to see them as something not part of themselves
Ironic consumption of commodities is one ... See more
“reactionary distancing—aestheticizing, ironizing.” Viewing the junk products of pop culture “ironically or anthropologically….from internally afar” allowed hipsters to see them as something not part of themselves
Ironic consumption of commodities is one ... See more
subpixel space • After Authenticity
“Whatever you now find weird, ugly, uncomfortable, and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit — all of these will be cherished and emulated as soon as they can be avoided. It’s the sound of failure: so much modern art is the sound of things going out of con... See more
🌀🗞 The FLUX Review, Ep. 149
Eichhorn uses the potent term “content capital”—a riff on Pierre Bourdieu’s “cultural capital”—to describe the way in which a fluency in posting online can determine the success, or even the existence, of an artist’s work.
“Cultural producers who, in the past, may have focused on writing books or producing films or making art must now also spend con... See more
“Cultural producers who, in the past, may have focused on writing books or producing films or making art must now also spend con... See more