Sublime

satisfactory

an insistence on rigorous standards of judgment and taste in a relativist culture; a preference for the uncommercialized, unadvertised small bands rather than name bands; the development of a private language and then a flight from it when the private language (the same is true of other aspects of private style) is taken over by the majority group;

I’m now of the mind that all artists should be making these Best Ofs, even if just as an edited playlist, ideally made by the artist or group themselves. As much as I know that I can go to the DSPs for this purpose, I like the idea of the artist choosing the songs and the flow of these cuts to help guide me through their catalog.

the majority audience, which accepted the range of choices offered by the music industry and made its selections from this range without considering anything outside it; and the minority audience,

When he's not presenting his  monthly slot  on NTS radio,  Ziggy Devriendt  aka Nosedrip digs deep for forgotten Belgian music to reissue on his archive label  Stroom . Founded in 2016 as a sub-label of Ghent's  Music Mania , his Ostend based operation has also focused on the works of international artists such as Lat

Al Jolson’s ivories