Sublime

I openly embrace the label of bad feminist. I do so because I am flawed and human. I am not terribly well versed in feminist history. I am not as well read in key feminist texts as I would like to be. I have certain . . . interests and personality traits and opinions that may not fall in line with mainstream feminism, but I am still a feminist.

‘But many people in Delhi still speak Urdu.’ ‘Urdu is an aristocratic language. It was not the language of the working classes. Those who are left - the artisans - speak Karkhana [factory] Urdu. The Urdu of the poets is dead.’

The insidiousness of second-generation gender bias—informal exclusion, lack of mentors and role models, fear of conforming to stereotypes—colluded with the ideological spread of neoliberalism to recast institutional inequity as mere personal challenges.

For a woman who has something to say, does it really take a miracle—I said to myself—to dissolve the margins within which nature has enclosed her and show herself in her own words to the world?

Design justice focuses on the ways that race, class, gender, and disability structure both information asymmetries and variance in user product needs.