Sublime

this remains one of my favorite pieces of internet cultural criticism https://t.co/722WCUehm6

I hear the “automation is destiny” argument all the time—especially in Silicon Valley, where people tend to talk about technological progress as a speeding train we either have to climb aboard or get run over by—and I get why it’s tempting to believe. For a long time, I believed it myself. But it’s wrong. And deep down, we all know it’s wrong. From... See more

As Brian Merchant argues in his book, Blood in the Machine , the rebellion was more nuanced than we realize, standing “not against technology per se but for the rights of workers above the inequitable profitability of machines.”

I think there are three algorithms that have reshaped the American press in ways that we are just now starting to confront. You have Google and Facebook, which can serve up this incredible fire hose of traffic to publishers so long as they cater to the ever-shifting whims of that algorithm.

From the author of Oval, a collection of “fan nonfiction” that proposes new possibilities and genealogies for weird fiction in the age of extinction.

This collection is about love, death, plants, and weird fiction. It takes its title from a Margaret Atwood story in which an adolescent girl seems to turn into a tree. It examines works by Doris Lessin... See more

Margret Atwood in The Atlantic feeld Murdered by her Replica and compares the AI-copyright situation to the scifi-horror-classic The Stepford Wifes: "In that 1975 horror film, the human wives of Stepford, Connecticut, are having their identities copied and transferred to robotic replicas of themselves, minus any contrariness that their husbands fin... See more