Sublime
An inspiration engine for ideas
The Death of the Artist: How Creators Are Struggling to Survive in the Age of Billionaires and Big Tech
William Deresiewiczamazon.comThe civic fathers who presided over the industrial cities of the late nineteenth and early and middle twentieth centuries—the Rockefellers and Carnegies who built the museums and libraries and concert halls—supported culture as an end in itself: a public good, a social value, a point of local and national pride. Today’s planners and plutocrats supp... See more
William Deresiewicz • The Death of the Artist: How Creators Are Struggling to Survive in the Age of Billionaires and Big Tech
The distinction Wark makes of the vectoralist class vs. the capitalist is its power not to actually own anything but to simply extract enormous profit from various flows of value.
Vince Carducci • To the Vector the Spoils: On McKenzie Wark’s ‘Capital Is Dead’, PopMatters
Alex Petre
@alexpetrephd
Digital Lockdown with Geert Lovink —
maekan.com
The corporate hierarchy that has corrupted higher education is on public display at Berkeley. The wealthiest of the elite schools, such as Yale and Stanford, assign dormitories by lottery. They treat their students with a careful egalitarianism, expecting all to enter the elite. Berkeley and many other public universities, however, assign rooms dep
... See moreChris Hedges • Empire of Illusion: The End of Literacy and the Triumph of Spectacle

I gave a talk in 2018 on the incompatibility of technological progress and privacy at the @Stacks conference in Berlin. Since then the advancements in AI have made this argument ever more relevant. The talk is short (15 minutes)