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Deanna Raybourn • A Perilous Undertaking


And often the hero/ine will LOSE SUPPORT FROM KEY ALLIES when s/he begins to cross the line. ESCALATING ACTIONS/ATTACKS BY ANTAGONIST
Alexandra Sokoloff • Writing Love: Screenwriting Tricks for Authors II: Story Structure for Pantsers and Plotters (Screenwriting Tricks For Authors (and Screenwriters!) Book 2)
So lesson to be learned here? Make your reader want the love interest as much as your hero/ine does.
Alexandra Sokoloff • Writing Love: Screenwriting Tricks for Authors II: Story Structure for Pantsers and Plotters (Screenwriting Tricks For Authors (and Screenwriters!) Book 2)
What’s the kind of story you’re writing – by your own definition? When you start to get specific about that, that’s when your writing starts to get truly interesting.
Alexandra Sokoloff • Writing Love: Screenwriting Tricks for Authors II: Story Structure for Pantsers and Plotters (Screenwriting Tricks For Authors (and Screenwriters!) Book 2)
theme of the soul mate — that there is someone out there who is destined for you, and that the Universe will guide you to that person.
Alexandra Sokoloff • Writing Love: Screenwriting Tricks for Authors II: Story Structure for Pantsers and Plotters (Screenwriting Tricks For Authors (and Screenwriters!) Book 2)
The time to know what your book is about is before you start it,