Sublime

Think of the smooth marble of the sculpted nude, or the supple roundness of the Venus de Milo: those proportions might not be the same ones exalted today, but to viewers of the time, the flesh, like the body itself, was perfect. A portrait can thus be judged by its adherence to the ideals of proportion: its skill in transforming the naked body into

Mrs. Amber Moltke, the artist’s young spouse, wore a great billowing pastel housedress and flattened espadrilles and was, for better or worse, the sexiest morbidly obese woman Atwater had ever seen. Eastern Indiana was not short on big pretty girls, but this was less a person than a vista, a quarter ton of sheer Midwest pulchritude, and Atwater had

In this light, compassion is a matter of aesthetics.

Aggressively uncreative practices such as aimless wandering or birdwatching (or, as she perceptively calls it, “bird listening”) offer “an antidote to the rhetoric of growth” that surrounds us every day. There is ultimately a feminist and environmental case to be made for doing nothing: if we can shift our notion of constructive social behavior fro

To the question ‘What is it that most depresses you in life?’ I had replied, The unequal distribution of beauty.’