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There’s a nosy pleasure in that,
Adam Moss • The Work of Art: How Something Comes from Nothing
the journalistic errors examined in this book—the misreporting, fabrications, and distortions—were never the product of simple error. Nor were they solely the result of rogue reporters who took their journalistic fates into their own hands. Rather, they were the byproduct of a particular kind of system, a truth-producing machine that though built t
... See moreAshley Rindsberg • The Gray Lady Winked: How the New York Times's Misreporting, Distortions and Fabrications Radically Alter History
Brian Moore — artist / creative director
brianmoore.com
its hazard lights bleating carmine auras into the morning mist.
David Shafer • Whiskey Tango Foxtrot
There’s a nosy pleasure in that,
Adam Moss • The Work of Art: How Something Comes from Nothing
There’s a nosy pleasure in that,
Adam Moss • The Work of Art: How Something Comes from Nothing
In May 1941, Arthur Hays Sulzberger had spoken words to affirm that he and the American journalism establishment could not “turn our heads away from those who suffer.” He spoke of a need to confront the horrors of other people’s suffering in order to keep alive “spiritual values” to be once again embraced “when all this nightmare is over.” And yet,
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