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An inspiration engine for ideas

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Lynda Barry, when blocked, writes her first drafts with a paint brush on legal pads.

"There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is not your business to determine how good it is

Grace Lin: She asks, Where do you get your ideas?

Mo Willems: Well, Leah, that's a very good question and I'm afraid you may not like the answer because ideas are not things you get. People tend to think that ideas are things like diamonds. And then you go out and you get them and you grab them and you bring them back. But that's not what ideas are.

Grace Lin • Episode 9: Where do you get your ideas? With Mo Willems — Kids Ask Authors

“A painting to me is primarily a verb, not a noun, an event first and only secondarily an image.”

-Elaine de Kooning

“Every morning, you MUST love your whims and trust your whims, as you write anything and everything you desire, without shame, without purpose. Let it suck and let it be brilliant, too. Write way too much and then write too little. Feel hopeful and feel ashamed and understand that this is how you will live forever. Your brain is melodramatic. It wa

If you’re going to do high-level creative work, you have to accept the messiness of your initial creations, knowing that excellence is born from the sisters of patience and iteration. The second you start condemning young and fragile ideas, you’re toast. https://t.co/Yee5XC9jll

David Perell x.com

“The process of making art is the process of becoming a person with agency, with independent thought, a producer of meaning rather than a consumer of meanings that may be at odds with your soul, your destiny, your humanity, so there’s another kind of success in becoming conscious that matters and that is up to you and nobody else and within your re

My entire philosophy of how I organize myself as a working painter can be summed up by something George Carlin said: “Just keep movin’ straight ahead. Every now and then you find yourself in a different place.”

You hear a lot in art school about how painters must continue to “grow” and “evolve”—but I think those are such bullshit words. There is gre... See more

Kieran O‘Hare • Following the ‘White-hot Fire Inside of You’

Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is