David L Ellis

But control is just one effect, and in some ways the canniest — nothing else so efficiently earns the reader’s trust and can lull her into sleepy credulity. “Clarity” is no different; is there better camouflage than absolute candor? Ditlevsen confesses and confesses, but it is what she does not say, what she shows us and does not acknowledge — the

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I’m a writer, and everything I write is both a confession and a struggle to understand things about myself and this world in which I live. This is what everyone’s work should be...whether you dance or paint or sing. It is a confession, a baring of your soul, your faults, those things you simply cannot or will not understand or accept. You stumble f

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Hugh says that if we ever get separate bedrooms that’s it—he’s finished. I know this works for a lot of couples, they’re happy being down the hall from each other, but I couldn’t bear such an arrangement. “This is what I’ll miss after you’re dead,” I tell him as I turn out the light, meaning, I guess, the sensation of being dead together.

David Seda

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It’s easy to be seduced by the world of potentiality. A book is always greatest before it’s written. You are intoxicated by what it can be. That’s very dangerous. You want to kill those seductions as quickly as possible, and one way to achieve that is fast iteration. Make known the unknown; murder your fantasies.

Craig Mod

Offscreen Magazine, Issue 1

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björk said that trying to communicate through talking feels like trying to put the ocean through a straw