weekly Objet library
Issue #15: Why Japan's Vintage Shopping Is So Good
thebandana.jp
First of all, there’s something to be said for the Japanese concept of wabi-sabi—embracing authenticity and appreciating things for being unique and imperfect. A rare, well-worn leather jacket from the 1970s is a hell of a lot cooler than a brand new one from a standard label bought at a department store, right?
The Japanese approach to cherishing and maintaining one’s possessions—a concept known as mono wo taisetsu ni (cherish your things)—ensures that vintage luxury pieces are often in excellent condition. This cultural respect for belongings translates into a robust market for vintage luxury, where the condition of items remains paramount.

my goals of buying things of quality and character, objects with a story to tell


If Japan truly were a minimalist paradise, why would it need Kondos and Sasakis in the first place?
The world still turns to Japan for things; it also turns to Japan to rid itself of them. There’s only one problem: Japan isn’t anywhere near as tidy as outside observers give it credit for.
Subtractive is contemplative; additive is stimulating. But, above all, the Japanese are master ‘editors’, he says, picking and choosing between polar opposites to suit the occasion. This is why Japanese people continue to remove their shoes indoors, even as they choose to live in Western-style houses. It’s why they continue to distinguish between Japanese-style and Western-style foods, hotels, even toilets. To Matsuoka, the subtractive and additive approaches aren’t inherently in opposition; the distinction is simply a matter of context.
‘Today, the idea that you’ll hold on to a lot of things for your whole life is fading,’ said Tsuzuki. ‘Take clothing. It used to be the case that good clothes cost a lot. You’d buy them and take care of them and wear for years. So you’d naturally build up a collection. But now we’re surrounded by low-cost retailers that are just good enough. You wear it for a season and that’s it.’

I like to think of them [old things] as talismans of the past. I don’t just put them on display but use them as they were made to be used.
There’s also a sense that whatever it witnessed through my ownership is just a minor chapter in the bag’s life. It holds my secrets but also the mysteries of those that came before me. I can only hope to pass it on as the common thread between me and generations of stylish women.

