
Zen in the Art of Archery

by the “art” of archery he does not mean the ability of the sportsman, which can be controlled, more or less, by bodily exercises, but an ability whose origin is to be sought in spiritual exercises and whose aim consists in hitting a spiritual goal, so that fundamentally the marksman aims at himself and may even succeed in hitting himself.
Eugen Herrigel • Zen in the Art of Archery
Steep is the way to mastery. Often nothing keeps the pupil on the move but his faith in his teacher, whose mastery is now beginning to dawn on him. He is a living example of the inner work, and he convinces by his mere presence.
Eugen Herrigel • Zen in the Art of Archery
all right doing is accomplished only in a state of true selflessness, in which the doer cannot be present any longer as “himself.”
Eugen Herrigel • Zen in the Art of Archery
Bow and arrow are only a pretext for something that could just as well happen without them, only the way to a goal, not the goal itself, only helps for the last decisive leap.
Eugen Herrigel • Zen in the Art of Archery
The “Great Doctrine” of archery tells us something very different. According to it, archery is still a matter of life and death to the extent that it is a contest of the archer with himself;
Eugen Herrigel • Zen in the Art of Archery
It is this mastery of form that the Japanese method of instruction seeks to inculcate. Practice, repetition, and repetition of the repeated with ever increasing intensity are its distinctive features for long stretches of the way.
Eugen Herrigel • Zen in the Art of Archery
Perfection in the art of swordsmanship is reached, according to Takuan, “when the heart is troubled by no more thought of I and You, of the opponent and his sword, of one’s own sword and how to wield it – no more thought even of life and death. All is emptiness: your own self, the flashing sword, and the arms that wield it. Even the thought of empt
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He sticks to this traditional custom because he knows from experience that the preparations for working put him simultaneously in the right frame of mind for creating. The meditative repose in which he performs them gives him that vital loosening and equability of all his powers, that collectedness and presence of mind, without which no right work
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“whoever makes good progress in the beginning has all the more difficulties later on.”