
The Sony A7 II: The Unofficial Quintessential Guide

This is in contrast to how P mode works, where the lens stays at the maximum, or widest, aperture. In P mode, when you turn the front or rear dial, the camera calculates the degree to which the light intensity changes.
Carol F. Roullard • The Sony A7 II: The Unofficial Quintessential Guide
Sony offers them for the a7 II at a nominal cost. We purchased the semihard plastic model. It is sticky, and you apply it directly to the monitor. The adhesive is not a permanent bond, so if the protector gets scratched, you can replace it. Another nice feature of the protector is that it resists picking up oil from your fingertips.
Carol F. Roullard • The Sony A7 II: The Unofficial Quintessential Guide
find out if your computer can handle SDXC cards. They have an improved bus, and the computer must have the correct contacts to take advantage of the card’s capabilities. Also, an SDXC card requires the computer to use an operating system that can address more than 32 gigabytes (GB) of disk space.
Carol F. Roullard • The Sony A7 II: The Unofficial Quintessential Guide
use the camera’s format command to prepare the card for your camera:
Carol F. Roullard • The Sony A7 II: The Unofficial Quintessential Guide
Operationally, the Focus Magnifier is indistinguishable from MF Assist. If you like to magnify the framed image to evaluate the focus when you take still photographs and movies, Focus Magnifier is a good command to use, especially if you customize a button for quick access.
Carol F. Roullard • The Sony A7 II: The Unofficial Quintessential Guide
You will see the effect of the highlighted White Balance option on the Live View image as you cycle through the White Balance presets.
Carol F. Roullard • The Sony A7 II: The Unofficial Quintessential Guide
To focus accurately with a zoom lens, use the longest focal length.
Carol F. Roullard • The Sony A7 II: The Unofficial Quintessential Guide
a scene has a wide range of intensities, HDR photography frequently results in an image with oversaturated colors, which gives it a surreal appearance. For example, when you merge three exposures in third-party software like Photomatix, the final composite image can have dramatically different colors than the original scene.
Carol F. Roullard • The Sony A7 II: The Unofficial Quintessential Guide
Even though Auto HDR and DRO address the same problem of intensity extremes, there are important operational differences. First, DRO images can be captured in RAW format, and Auto HDR images cannot. Second, DRO works on the information obtained from one image, and Auto HDR works with three images. DRO images will therefore have higher noise levels
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