The Silmarillion

The chief of the stories of The Silmarillion, and the one most fully treated is the Story of Beren and Lúthien the Elfmaiden. Here we meet, among other things, the first example of the motive (to become dominant in Hobbits) that the great policies of world history, ‘the wheels of the world’, are often turned not by the Lords and Governors, even god

He is the Doomsman of the Valar; but he pronounces his dooms and his judgements only at the bidding of Manwë. Vairë the Weaver is his spouse, who weaves all things that have ever been in Time into her storied webs, and the halls of Mandos that ever widen as the ages pass are clothed with them.

Their long life aids their achievements in art and wisdom, but breeds a possessive attitude to these things, and desire awakes for more time for their enjoyment. Foreseeing this in part, the gods laid a Ban on the Númenóreans from the beginning: they must never sail to Eressëa, nor westward out of sight of their own land.

With Mortality, especially as it affects art and the creative (or as I should say, sub-creative) desire which seems to have no biological function, and to be apart from the satisfactions of plain ordinary biological life, with which, in our world, it is indeed usually at strife.

They pervert the greater part of their kindred, who rebel against the gods, and depart from paradise, and go to make hopeless war upon the Enemy. The first fruit of their fall is war in Paradise, the slaying of Elves by Elves, and this and their evil oath dogs all their later heroism, generating treacheries and undoing all victories.

The chief power (of all the rings alike) was the prevention or slowing of decay (i.e. ‘change’ viewed as a regrettable thing), the preservation of what is desired or loved, or its…

The Silmarillion is the history of the War of the Exiled Elves against the Enemy, which all takes place in the North-west of the world (Middle-earth).

Isildur claims the Ring as his own, as ‘the Weregild of his father’, and refuses to cast it into the Fire nearby. He marches away, but is drowned in the Great River, and the Ring is lost, passing out of all knowledge. But it is not unmade, and the Dark Tower built with its aid still stands, empty but not destroyed. So ends the Second Age with the c

But also they enhanced the natural powers of a possessor – thus approaching ‘magic’, a motive easily corruptible into evil, a lust for domination. And finally they had other powers, more directly derived from Sauron (‘the Necromancer’: so he is called as he casts a fleeting shadow and presage on the pages of The Hobbit): such as…