I am taking the liberty at this point of calling the existential attitude philosophical suicide.

The subject of this essay is precisely this relationship between the absurd and suicide, the exact degree to which suicide is a solution to the absurd.

This divorce between man and his life, the actor and his setting, is properly the feeling of absurdity.

I said that the world is absurd, but I was too hasty. This world in itself is not reasonable, that is all that can be said. But what is absurd is the confrontation of this irrational and the wild longing for clarity whose call echoes in the human heart. The absurd depends as much on man as on the world. For the moment it is all that links them toge

Men, too, secrete the inhuman. At certain moments of lucidity, the mechanical aspect of their gestures, their meaningless pantomime makes silly everything that surrounds them. A man is talking on the telephone behind a glass partition; you cannot hear him, but you see his incomprehensible dumb show: you wonder why he is alive. This discomfort in th

Between the certainty I have of my existence and the content I try to give to that assurance, the gap will never be filled. Forever I shall be a stranger to myself. In psychology as in logic, there are truths but no truth. Socrates’ “Know thyself” has as much value as the “Be virtuous” of our confessionals. They reveal a nostalgia at the same time

Chestov, who is so fond of quoting Hamlet’s remark: “The time is out of joint,” writes it down with a sort of savage hope that seems to belong to him in particular. For it is not in this sense that Hamlet says it or Shakespeare writes it. The intoxication of the irrational and the vocation of rapture turn a lucid mind away from the absurd. To Chest

Such men know to begin with, and then their whole effort is to examine, to enlarge, and to enrich the ephemeral island on which they have just landed. But first they must know. For the absurd discovery coincides with a pause in which future passions are prepared and justified. Even men without a gospel have their Mount of Olives. And one must not f

This particular view will be better understood if I say that truly hopeless thought just happens to be defined by the opposite criteria and that the tragic work might be the work that, after all future hope is exiled, describes the life of a happy man. The more exciting life is, the more absurd is the idea of losing it.