
The Good Neighbor: The Life and Work of Fred Rogers

“There’s a consistent theme in Fred’s career of people underestimating him. I don’t think that it’s widely understood . . . what a powerful intellect he had, and . . . for lack of a better term, what a tough guy he was. He had a passion about helping children that his famous gentle manner belied, and he had a really steely core.”13 Elizabeth Seaman
... See moreMaxwell King • The Good Neighbor: The Life and Work of Fred Rogers
Fred Rogers, son of an industrialist and a successful businessman, maintained a lifelong—some would say childlike—sense of curiosity about how things worked, which seeped into various aspects of the strolls Mister Rogers took around the Neighborhood once he left his living room or his front porch. His sister, Laney, observes: “He was like a sponge.
... See moreMaxwell King • The Good Neighbor: The Life and Work of Fred Rogers
Former producer Margy Whitmer observes: “Our show wasn’t a director’s dream. Fred had a lot of rules about showing the whole body, not just hands. When actors or puppets were reading something, Fred wanted the kids to see the words, even if viewers couldn’t literally read them. The camera moves left to right, because you read left to right. All tho
... See moreMaxwell King • The Good Neighbor: The Life and Work of Fred Rogers
Fred Rogers remembered that when McFarland wanted to expose the little children at the Arsenal Center to the work of a sculptor, she gave these instructions to the artist she invited to visit her classes: “‘I don’t want you to teach sculpting. All I want you to do is to love clay in front of the children.’ And that’s what he did. He came once a wee
... See moreMaxwell King • The Good Neighbor: The Life and Work of Fred Rogers
Fred tells the audience how much he loved his grandfather for the timely intervention. He goes on to offer a thought on the importance of memories: “Our memories are ours to share or not to share. We have the right to make that decision.”
Maxwell King • The Good Neighbor: The Life and Work of Fred Rogers
In 1979, struggling to write a script for a weeklong series on “Going to School,” he wrote in a note to himself: “Am I kidding myself that I’m able to write a script again? Am I really just whistling Dixie? I wonder. Why don’t I trust myself? Really that’s what it’s all about . . . that and not wanting to go through the agony of creation. AFTER ALL
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