The Carrier Bag Theory of Fiction

Anyway, the point is: the hero’s journey and carrier bag are both about narrative models rather than gendered modes of storytelling, and the rise of the novel was a fall of the hero (whether male or female) from epic demigod figure to boy-with-toy. Or girl-with-toy as the case may be.

Male storytelling is a sublimated hunting narrative, female storytelling is a sublimated gathering narrative. One is born of brags, the other is born of rumors. One kind of writing throws a metaphorical spear at a metaphorical beast, attempting to kill it and bring back the carcass. The other kind puts relatively unresisting things into bags, and e... See more

In Ursula K. Le Guin’s Carrier Bag Theory of Fiction (1986), Le Guin posits the first human tool as the basket, not the spear, thereby recasting the first protagonist as a gatherer, not a hunter. Not only did this address the deeply gendered roles of these two parts, it also changed the singular hero to the plural collective, from he to we. “Before... See more

The spear and the bag. And then there’s the net. A bag with holes. That is carried around on a different kind of bag: a boat. Which is used to gather fish the way women once gathered yams while men sat around repeating their hunting stories from last month. Fish fight back more than yams, but less than dragons. A hero’s journey is sublimated braggi... See more