
The Book of Disquiet (Penguin Modern Classics)

Why should I care that no one reads what I write? I write to forget about life, and I publish because that’s one of the rules of the game.
Fernando Pessoa • The Book of Disquiet (Penguin Modern Classics)
Because I’m the size of what I see And not the size of my stature.
Fernando Pessoa • The Book of Disquiet (Penguin Modern Classics)
I weep over my imperfect pages, but if future generations read them, they will be more touched by my weeping than by any perfection I might have achieved, since perfection would have kept me from weeping and, therefore, from writing. Perfection never materializes. The saint weeps, and is human. God is silent. That is why we can love the saint but c
... See moreFernando Pessoa • The Book of Disquiet (Penguin Modern Classics)
Its excesses, its absurdities and its ability to seduce and move hearts all come from its being the outer representation of what’s deepest in the soul – a concrete, visible representation that would even be possible, if human possibility depended on something besides Fate.
Fernando Pessoa • The Book of Disquiet (Penguin Modern Classics)
Life is whatever we conceive it to be. For the farmer who considers his field to be everything, the field is an empire. For a Caesar whose empire is still not enough, the empire is a field. The poor man possesses an empire, the great man a field. All that we truly possess are our own sensations; it is in them, rather than in what they sense, that w
... See moreFernando Pessoa • The Book of Disquiet (Penguin Modern Classics)
Although love is a sexual instinct, it’s not with sexual instinct that we love but with the conjecture of some other feeling. And that conjecture is already some other feeling.
Fernando Pessoa • The Book of Disquiet (Penguin Modern Classics)
Art, which gives me relief from life without relieving me of living, being as monotonous as life itself, only in a different place. Yes, for me the Rua dos Douradores contains the meaning of everything and the answer to all riddles, except for the riddle of why riddles exist, which can never be answered.
Fernando Pessoa • The Book of Disquiet (Penguin Modern Classics)
I consider it neither a human nor a literary error to attribute a soul to the things we call inanimate. To be a thing is to be the object of an attribution. It may be erroneous to say that a tree feels, that a river runs, that a sunset is sad or that the calm ocean (blue from the sky it doesn’t have) smiles (from the sun outside it). But it’s every
... See moreFernando Pessoa • The Book of Disquiet (Penguin Modern Classics)
Literature simulates life. A novel is a story of what never was, and a play is a novel without narration. A poem is the expression of ideas or feelings in a language no one uses, because no one talks in verse.