
Story: Style, Structure, Substance, and the Principles of Screenwriting

Identify the value at stake in the scene and note its charge, positive or negative, at the opening of the scene.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
Structure and character are interlocked.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
an ironic climax is a single action that makes both a positive and a negative statement.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
The final cause for the decline of story runs very deep. Values, the positive/negative charges of life, are at the soul of our art. The writer shapes story around a perception of what’s worth living for, what’s worth dying for, what’s foolish to pursue, the meaning of justice, truth—the essential values. In decades past, writer and society more or
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the inner world is where the highly educated spend a large amount of time.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
The Spine is the deep desire in and effort by the protagonist to restore the balance of life.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
Good actors will not step in front of a camera without their subtext.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
All scenes must be thematically or structurally justified in the light of the Climax. If they can be cut without disturbing the impact of the ending, they must be cut.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
the protagonist must be the most dimensional character in the cast to focus empathy