
Story: Style, Structure, Substance, and the Principles of Screenwriting

Action genres turn on public values such as freedom/slavery or justice/injustice; the Education genre turns on interior values such as self-awareness/self-deception or life as meaningful/meaningless.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
Life teaches this grand principle: What seems is not what is.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
An unconscious desire is always more powerful and durable,
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
the protagonist must be the most dimensional character in the cast to focus empathy
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
You must shape your story in a way that both expresses your vision and satisfies the audience’s desires.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
Once the Climax is in hand, stories are in a significant way rewritten backward, not forward. The flow of life moves from cause to effect, but the flow of creativity often flows from effect to cause.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
Dialogue is not conversation.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
people share very personal things with total strangers. And I agree. But only in California.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
The Crisis must be true dilemma