
Story Maps: TV Drama: The Structure of the One-Hour Television Pilot

The protagonist is thrown into a meaningful skirmish (First Trial) that produces some kind of failure or victim (First Casualty), which can be themselves, another character or a figurative death, like a loss of innocence.
Daniel Calvisi • Story Maps: TV Drama: The Structure of the One-Hour Television Pilot
the sooner you establish a line of action that moves forward (a character pursuing a goal against obstacles) the better.
Daniel Calvisi • Story Maps: TV Drama: The Structure of the One-Hour Television Pilot
Introduce a Fascinating Protagonist (Protag):
Daniel Calvisi • Story Maps: TV Drama: The Structure of the One-Hour Television Pilot
Keep in mind that a “premise pilot” may not utilize the Week-to-Week engine of subsequent episodes.
Daniel Calvisi • Story Maps: TV Drama: The Structure of the One-Hour Television Pilot
We want to see our hero realize their own true power and unleash a show of strength that makes them come into their own.
Daniel Calvisi • Story Maps: TV Drama: The Structure of the One-Hour Television Pilot
You can only reinvent the form once you know the form. Once you know the past, you can create the future:
Daniel Calvisi • Story Maps: TV Drama: The Structure of the One-Hour Television Pilot
Fatal Flaw: This is their worst trait, their Achilles Heel, the blind side that threatens to ruin them.
Daniel Calvisi • Story Maps: TV Drama: The Structure of the One-Hour Television Pilot
Express Theme: Show us why you’re writing this story, what it is about, in action.
Daniel Calvisi • Story Maps: TV Drama: The Structure of the One-Hour Television Pilot
Your leading woman or man must be someone that we really want to spend time with.