Sivers
On a small level, it can be that little nervous moment, when you’re scared to talk to someone intimidating. You notice you’re scared. Aha! Whatever scares you, go do it. So you go talk to them. On a big level, it can be that huge terrifying idea that won’t go away. Starting a business. Visiting a country. Quitting your job. Whatever scares you, go
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To make a change, most people don’t do enough.
Hell_Yeah_or_No • Sivers
Doesn’t that feel more powerful? Try it. Maybe instead of “fault” you prefer the word “responsibility,” but the idea is the same. Think of every bad thing that happened to you, and imagine that you happened to it. 72 sive.rs/my-fault
Hell_Yeah_or_No • Sivers
John Cage said, “I can’t understand why people are frightened of new ideas. I’m frightened of the old ones.”
Hell_Yeah_or_No • Sivers
I created the environment that made them feel they had to lie. I mistook their neutral behavior as betrayal. I made it more appealing for them to disappear than to communicate. It felt so good to think it was all my fault! This is way better than forgiving. When you forgive, you’re still assuming that they’re wrong and you’re the victim. But to dec
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When life or a plan feels ultimately unsatisfying, I fnd it’s because I’ve forgotten to fnd the intersection of all three: • What makes me happy • What’s smart • What’s useful to others 88 sive.rs/hsu
Hell_Yeah_or_No • Sivers
This is how I feel about culture. We’re so surrounded by it that it’s impossible to see. Many things we think are true are really just our local culture. We can’t see it until we get outside of it.
Hell_Yeah_or_No • Sivers
Be careful when you say you like or dislike something, because you could change your mind soon.
Hell_Yeah_or_No • Sivers
Singing the counter-melody My advice and opinions may sound strange on their own. Do you know what musical counterpoint is? Underneath the main melody, you have a countermelody that goes against it, and together they make harmony. This is different from harmonizing, where someone sings along with the melody at an interval. The counter-melody is a s
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