
Powerhouse: The Untold Story of Hollywood's Creative Artists Agency

Even though Mike and Ron wanted the final say on most things, my dad really spent the bulk of his time building the infrastructure of the agency.
James Andrew Miller • Powerhouse: The Untold Story of Hollywood's Creative Artists Agency
Our pitch—which was totally honest—was that we were going to be available for our clients seven days a week—anyplace,
James Andrew Miller • Powerhouse: The Untold Story of Hollywood's Creative Artists Agency
We cast the company like you would cast a movie.
James Andrew Miller • Powerhouse: The Untold Story of Hollywood's Creative Artists Agency
In any business on earth—I always say to people—nobody will ever leave you for money, and nobody will ever leave you over titles. People will only leave if they have no loyalty to you.
James Andrew Miller • Powerhouse: The Untold Story of Hollywood's Creative Artists Agency
was never great at discovering talent but knew how to take someone who had a good foundation to the next level.
James Andrew Miller • Powerhouse: The Untold Story of Hollywood's Creative Artists Agency
If they were writers, we would get material or source ideas and put them with people.
James Andrew Miller • Powerhouse: The Untold Story of Hollywood's Creative Artists Agency
The five of us made sure to meet every day and we talked about everything and did whatever we had to do to help each other. We stayed close with our agents and always knew what was going on with them. This meant, for instance, if important writer clients wrote an unattached script, rather than sell it directly to a studio, we would put it together
... See moreJames Andrew Miller • Powerhouse: The Untold Story of Hollywood's Creative Artists Agency
we were a group that worked together, that we weren’t just one agent with one client. That was our pitch.