On Writing Well, 30th Anniversary Edition: An Informal Guide to Writing Nonfiction
William Zinsseramazon.com
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On Writing Well, 30th Anniversary Edition: An Informal Guide to Writing Nonfiction
Saved by finn and
Humor, to them, is urgent work. It’s an attempt to say important things in a special way that regular writers aren’t getting said in a regular way—or if they are, it’s so regular that nobody is reading it.
Use active verbs unless there is no comfortable way to get around using a passive verb. The difference between an activeverb style and a passive-verb style—in clarity and vigor—is the difference between life and death for a writer.
President Carter signed an executive order directing that federal regulations be written “simply and clearly.” President Clinton’s attorney general, Janet Reno, urged the nation’s lawyers to replace “a lot of legalese” with “small, old words that all people understand”—words like “right” and “wrong” and “justice.”
How can you overcome such fearful odds and write well about a place? My advice can be reduced to two principles—one of style, the other of substance. First, choose your words with unusual care.
Soon after you confront the matter of preserving your identity, another question will occur to you: “Who am I writing for?” It’s a fundamental question, and it has a fundamental answer: You are writing for yourself. Don’t try to visualize the great mass audience. There is no such audience—every reader is a different person. Don’t try to guess what
... See moreYour ethical duty to the person being interviewed is to present his position accurately.
President Carter signed an executive order directing that federal regulations be written “simply and clearly.” President Clinton’s attorney general, Janet Reno, urged the nation’s lawyers to replace “a lot of legalese” with “small, old words that all people understand”—words like “right” and “wrong” and “justice.”
They just did what they did best and never worried about how it was defined.
I do my interviewing by hand, with a sharp No. 1 pencil. I like the transaction with another person. I like the fact that that person can see me working—doing a job, not just sitting there letting a machine do it for me.