Saved by Anna B
On a Wonderful, Beautiful, Almost Failed Sentence By Virginia Woolf
ou can hear in the delaying rhythms of the opening sentence the influence of Marcel Proust and the digressive, paid-by-the-word style of Thomas De Quincey, whose essays Woolf had lately looked into for the first time
Literary Hub • On a Wonderful, Beautiful, Almost Failed Sentence By Virginia Woolf
She has been thinking about Hamlet , and the way rashness, “one of the properties of illness,” allows at last a proper, because “outlaw,” reading of the play’s illogic and excess
Literary Hub • On a Wonderful, Beautiful, Almost Failed Sentence By Virginia Woolf
It may well be the sentence that for diverse reasons—because thinking about Woolf, or sickness, or essays, because trying to emulate a certain rhythm in my own writing—I’ve copied out by hand more than any other.
Literary Hub • On a Wonderful, Beautiful, Almost Failed Sentence By Virginia Woolf
The essay ends in a kind of dream—with the image of a plush red curtain clasped and crushed in grief. And we’re happy to follow Woolf there, in part, because of that dash in her opening sentence, which denotes a passage from the dream-fugue of sickness, depression, and undirected reading into the dirigible madness of writing.
Literary Hub • On a Wonderful, Beautiful, Almost Failed Sentence By Virginia Woolf
She took the opportunity to rein in what must have seemed syntactic and figural excesses in the work. In a passage about the invalid’s attitude to poetry, the 1930 version state
Literary Hub • On a Wonderful, Beautiful, Almost Failed Sentence By Virginia Woolf
There’s a contradiction, not quite buried, in the way the essay characterizes the sick person’s experience of language
Literary Hub • On a Wonderful, Beautiful, Almost Failed Sentence By Virginia Woolf
What remains? Most of the sentence, and of course the crucial dash, which is the sveltest emblem possible of the license afforded to the sick, to the essayist, and to the sentence itself. “On Being Ill” contains one of Woolf’s boldest essayistic deviations
Literary Hub • On a Wonderful, Beautiful, Almost Failed Sentence By Virginia Woolf
The sentence has allured us a long way, but I’m not certain I follow, not even sure what “this” consists of, never mind the “infinitely more.”
Literary Hub • On a Wonderful, Beautiful, Almost Failed Sentence By Virginia Woolf
Here is what happens in 1930 to the first sentence of 1926: very little, almost nothing. There are some small changes to punctuation, as when “arm chair” acquires a hyphen. In a sentence that is governed in its opening lines by the (somewhat confusing) play of light and dark, Woolf avoids a minor repetition when she writes “what wastes and deserts
... See more