
Old In Art School: A Memoir of Starting Over

GALLERY REPRESENTATION, I quickly learned, is the main criterion for who counts as An Artist.
Nell Irvin Painter • Old In Art School: A Memoir of Starting Over
You have to make a lot of work, she said, because 85 percent of what artists make is junk.
Nell Irvin Painter • Old In Art School: A Memoir of Starting Over
The freedom of disregard.
Nell Irvin Painter • Old In Art School: A Memoir of Starting Over
How do you tell what art is “interesting”? It looks like art. What is art? Art is what’s in galleries. Now you know.
Nell Irvin Painter • Old In Art School: A Memoir of Starting Over
A woman in her eighties is a sage. She is dignity and wisdom. She inspires the world. She has gravitas. She is elegant.
Nell Irvin Painter • Old In Art School: A Memoir of Starting Over
Thomas Hirschhorn
Nell Irvin Painter • Old In Art School: A Memoir of Starting Over
painters use tricks like putting a spot of white in the pupil of the eye to convey liveliness and making a muddy mixture of colors for an undecipherable facial shadow.
Nell Irvin Painter • Old In Art School: A Memoir of Starting Over
race, which wasn’t invented until the Enlightenment of the eighteenth century.