
Musicophilia

Such patterns, formal and harmonic, relate their components to one another in time. The ear can sense the harmonies to come based on the relative intensities of those that came before, or when thematic material will return by the buildup of a cadence at the end of a development section or variation. It is through this higher sense of rhythm, then, ... See more
Maria Popova • We Are Made of Music, We Are Made of Time: Violinist Natalie Hodges on the Poetic Science of Sound and Feeling
Music may be the most beautiful experiment conducted in the laboratory of time.
Maria Popova • We Are Made of Music, We Are Made of Time: Violinist Natalie Hodges on the Poetic Science of Sound and Feeling
Form, in music, is inherently temporal. It gives some shape to time, or at least designates the pace and manner at which we move through a particular piece. Where do we fare forward or cycle back; which moments expand, and which contract? Likewise, memory — that most universal and yet individual of temporal structures — lends form and shape to expe... See more
Maria Popova • We Are Made of Music, We Are Made of Time: Violinist Natalie Hodges on the Poetic Science of Sound and Feeling
Music done right captures a resonance between math and language.
Harmony/rhythm is basically a space/time language that is mathematical (an octave is a unit of space, a measure is a unit of time, and it’s all about how you carve and layer within those units). Lyrics are obviously the linguistic half of it. In the most basic songs, a nice poem is la
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