Hiding the Elephant: How Magicians Invented the Impossible and Learned to Disappear
Teller Jim Steinmeyeramazon.com
Hiding the Elephant: How Magicians Invented the Impossible and Learned to Disappear
That's the value of a great bit of magic. It offers the pleasure of something plain and ordinary unexpectedly elevated to a marvel. It's a redemptive feeling,
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In books of tricks, the recipe is specific-here's the effect and here's the method-implying that executing and concealing the secret is always the ultimate goal of the exercise.
Houdini compensated by attempting to portray his performance of magic as a challenge, force-feeding the mechanical wonders to the audience with great dollops ofhis personality. Watching him play the part of an elegant conjurer was a bit like watching a wrestler play the violin.
In his "Soiree Fantastique," Robert-Houdin's effect was presented as a magical box that could become heavy or light at will and thus protect itself from thieves. It was accomplished with a metal-lined box and an electromagnet beneath the stage-in the 1840s such magnets were little understood by the general public and not likely to be susp
... See moreBarely a year after Psycho's premiere, Dr. W. Pole, a writer on games and card table strategy, had noticed the patent and quickly explained in McMillain's Magazine how Psycho could be controlled by air pressure through the cylinder.
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Despite their innovations and contributions to the world of conjuring, the Davenports indulged in a typical mistake of many amateur magicians, by doing "too much" simply because they could, inadvertently violating the illusion they wished to create.
Even Devant's modern style-eliminating tricky-looking apparatus -could be taken to an extreme. One magician and writer glorified the good old days when stages looked colorful and apparatus were built specifically to look exotic and intriguing: