
Girl With Curious Hair

Also because D.L. was also weird, and conspicuously so, even in an environment—a graduate writing program—where neurosis was oxygen, colorful tics arranged and worn like jewelry.
David Foster Wallace • Girl With Curious Hair
“Almost Talmudically self-conscious?” Mark says. “Obsessed with its own interpretation?”
David Foster Wallace • Girl With Curious Hair
Drew-Lynn is neurosis in motion, and simply cannot abide take-off if certain cards show up on the pre-flight Tarot she spreads on the fold-down tray.
David Foster Wallace • Girl With Curious Hair
Not handsome in a to-die-for way, just this monstrous radiance of ordinary health—a commodity rare, and thus valuable, in Baltimore.
David Foster Wallace • Girl With Curious Hair
Popular culture is the symbolic representation of what people already believe.
David Foster Wallace • Girl With Curious Hair
a man wholly allergic to any distance between himself and his way
David Foster Wallace • Girl With Curious Hair
D.L. actually walks down the downward glide of their conveyor, the sort of girl who treats escalators like stairs, behavior which has always frightened and confused Sternberg. Her ass is disproportionately wide, flat, ungentle.
David Foster Wallace • Girl With Curious Hair
The dynamics of the connection between Faye Goddard and Julie Smith tend, those around them find, to resist clear articulation.
David Foster Wallace • Girl With Curious Hair
Mark’s field of time is harder to survey; because, since he is, at root, still an infant, his future is not yet something that cannot change. He believes there’s some simple, radical difference about him. He hopes it’s genius, fears it’s madness. Magda knows it’s neither. She knows that in truth Mark is just a radically simple person, wildly noncom
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