Daily Rituals: How Artists Work

Writing novels is hard, and requires vast, unbroken slabs of time. Four quiet hours is a resource that I can put to good use. Two slabs of time, each two hours long, might add up to the same four hours, but are not nearly as productive as an unbroken four. If I know that I am going to be interrupted, I can’t concentrate, and if I suspect that I mig... See more

My entire philosophy of how I organize myself as a working painter can be summed up by something George Carlin said: “Just keep movin’ straight ahead. Every now and then you find yourself in a different place.”

You hear a lot in art school about how painters must continue to “grow” and “evolve”—but I think those are such bullshit words. There is gre... See more

From experience, I knew what to do. Write. Write anything. Bad sentences, meaningless sentences, anything to get the mind fixed again to that sheet of paper and oblivious of the ‘real’ world. Write until the words begin to make sense, the cogs mesh, the wheels start to turn, the creaking movement quickens and becomes a smooth, oiled run, and then,

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1) Write. There is no substitute. Write what you most passionately want to write, not blogs, posts, tweets or all the disposable bubblewrap in which modern life is cushioned. But start small: write a good sentence, then a good paragraph, and don’t be dreaming about writing the great American novel or what you’ll wear at the awards ceremony becaus

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