The learning cannot be isolated within a script. As Piaget says, ‘it touches everything’ (Gardner, 1982:352).

Participant interview: I felt like my life was very directed in one way, but when I came here and communicated with everyone else and heard their ideas and their ways of thinking, I found there was more that I could offer. In a way, I have different paths going off my tree, with more branches and that kind of thing.

The experience alone is not enough for the learning to be valued. An understanding of the ways in which the learning is arrived at is integral. This does not mean that learning is predetermined, rather that t hose observing and/or evaluating the process need to be aware of and open to the variety of meanings that can be placed upon experience. It m... See more

Jerry Gill argues that ‘learning to learn’ is of ‘primary importance . . . for when one knows this, he or she will always be able to learn more’. Because of its emphasis upon participation, communication, reflection and the negotiation of reason and emotion, the meta-process of learning to learn is made particularly accessible through drama.

The constructivist paradigm has as its central focus is not abstraction (reduction) or approximation (modelling) of a single reality, but presentation of multiple, holistic, competing and often conflictual realities (including the inquirer's).

On the workshop: The low teacher-student ratio (4:16), the deliberate cultivation of community, the concentration on fun, the valuing of personal experience, the adaptability of staff and the open acceptance of differences among and between students contributed to an inclusive and diverse learning environment — an ideal teaching environment, one wi... See more

Using dramatic techniques to improve learning through 'meta-process' enhancement. Psychology has long employed drama techniques for therapy (e.g. Gestalt) and the author suggests that we might do the same for learning. Key focus on embodiment, integration, reflection on the experience, and gives some examples of employing this method, which tends t... See more

The most interesting part of this sort of research is, for me, the meaning that participants make, the stories they tell as a result of experience. These stories are evidence in themselves. It is through embodied experience, reflection and explanation that cultural knowledge systems are determined. Our ‘participation’ in and through these knowledge... See more

If the knowing process is thought of as a kind of dancing, as an interactive, reciprocal, give-and-take relationship between knowing subjects on the one hand and the physical and social environment on the other, then the resulting pattern of thought and behaviour, the known, may be thought of as the dance itself.