A Sense of Where You Are: Bill Bradley at Princeton

The most interesting thing about Bill Bradley was not just that he was a great basketball player, but that he succeeded so amply in other things that he was doing at the same time, reached a more promising level of attainment, and, in the end, put basketball aside because he had something better to do.

“Basketball discipline carries over into your life,” continuing, “You’ve got to face that you’re going to lose. Losses are part of every season, and part of life. The question is, can you adjust? It is important that you don’t get caught up in your own little defeats.”

Bradley says that when he was seventeen he came to realize that life was much longer than a few winters of basketball. He is quite serious in his application to the game, but he has wider interests and, particularly, bigger ambitions. He is a history student, interested in politics, and last July he worked for Governor Scranton in Washington.

His high-scoring totals are the result of his high percentage of accuracy, not of an impulse to shoot every time he gets the ball.

He not only worked hard on defense, for example, he worked hard on defense when the other team was hopelessly beaten. He did all kinds of things he didn’t have to do simply because those were the dimensions of the game.

“The average basketball player only likes to play basketball,” van Breda Kolff says. “When he’s left to himself, all he wants to do is get a two-on-two or a three-on-three going. Bradley practices techniques, making himself learn and improve instead of merely having fun.”

Most basketball players appropriate fragments of other players’ styles, and thus develop their own. This is what Bradley has done, but one of the things that set him apart from nearly everyone else is that the process has been conscious rather than osmotic. His jump shot, for example, has had two principal influences. One is Jerry West, who has one

The metaphor of basketball is to be found in these compounding alternatives. Every time a basketball player takes a step, an entire new geometry of action is created around him. In ten seconds, with or without the ball, a good player may see perhaps a hundred alternatives and, from them, make half a dozen choices as he goes along. A great player wi

His most remarkable natural gift, however, is his vision. During a game, Bradley’s eyes are always a glaze of panoptic attention, for a basketball player needs to look at everything, focussing on nothing, until the last moment of commitment. Beyond this, it is obviously helpful to a basketball player to be able to see a little more than the next ma