
1Q84: Books 1 and 2

It’s a Barnum and Bailey world, Just as phony as it can be, But it wouldn’t be make-believe If you believed in me
Haruki Murakami • 1Q84: Books 1 and 2
semaphore,
Haruki Murakami • 1Q84: Books 1 and 2
“When I’m writing a story, I use words to transform the surrounding scene into something more natural for me. In other words, I reconstruct it. That way, I can confirm without a doubt that this person known as ‘me’ exists in the world. This is a totally different process from steeping myself in the world of math.”
Haruki Murakami • 1Q84: Books 1 and 2
raison d’être
Haruki Murakami • 1Q84: Books 1 and 2
undulate
Haruki Murakami • 1Q84: Books 1 and 2
And where there is room for interpretation, there is always room for political persuasion.
Haruki Murakami • 1Q84: Books 1 and 2
Ultimately, though, whether this world (or that world) had only one moon or two moons or three moons, there was only one Tengo. What difference did it make? Whatever world he was in, Tengo was just Tengo, the same person with his own unique problems and his own unique characteristics. The real question was not in the moons but in Tengo himself.
Haruki Murakami • 1Q84: Books 1 and 2
eschewing
Haruki Murakami • 1Q84: Books 1 and 2
can only share these deep feelings because of my unique circumstances: I’ve broken the law, killed several people, and now someone is after me and may even kill me. Would it have been possible to form such a relationship if murder had not been involved? Could we have formed such bonds of trust if I were not an outlaw? I doubt it.